{"id":179,"date":"2009-10-16T01:21:56","date_gmt":"2009-10-15T23:21:56","guid":{"rendered":"http:\/\/flaven.fr\/?p=179"},"modified":"2013-10-02T03:58:15","modified_gmt":"2013-10-02T01:58:15","slug":"analyse-technique-dun-webdocumentaire-five-years-of-the-iraq-war-reuters","status":"publish","type":"post","link":"https:\/\/flaven.fr\/2009\/10\/analyse-technique-dun-webdocumentaire-five-years-of-the-iraq-war-reuters\/","title":{"rendered":"Analyse technique d&#8217;un webdocumentaire &#8211; five years of the iraq war &#8211; reuters"},"content":{"rendered":"<p><!-- Analyse technique d'un webdocumentaire - five years of the iraq war - reuters --><br \/>\n<!--  Reuters, technique, webdocumentaire, iraq , war, flv, Samia Nakhoul, Hala Gorani, arabe, Al Jazeera --><\/p>\n<p><a title=\"Analyse technique d'un webdocumentaire - five years of the iraq war - reuters\" href=\"https:\/\/flaven.fr\/2009\/10\/16\/analyse-technique-dun-webdocumentaire-five-years-of-the-iraq-war-reuters\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/flaven.fr\/wp-content\/uploads\/2010\/06\/3wdoc_iraq_reuters_bb_1.jpg\" width=\"600\" height=\"235\" alt=\"Analyse technique d'un webdocumentaire - five years of the iraq war - reuters\" \/><\/a><i>Copyright&copy; Reuters<\/i><\/p>\n<p>Comme webdoc, disons un assortiment de vid\u00e9os qui sont appel\u00e9es par des boutons toutefois excellente finition et grosse production.<!--more--><\/p>\n<blockquote><p>\nTous les \u00e9l\u00e9ments disponibles dans cet article sont visibles sur le site de reteurs.com. Le sujet qui sert de base \u00e0 l&#8217;article est &quot;FIVE YEARS OF THE IRAQ WAR&quot;<br \/> <a href=\"http:\/\/iraq.reuters.com\/\" target=\"_blank\">http:\/\/iraq.reuters.com\/<\/a><br \/>Le pitch du projet : 5 ans en rak c&#8217;est long surtout pour reprendre les briefs de la US army. On voit tout de m\u00eame la visage <code>Samia Nakhoul<\/code> qui parle aussi bien l&#8217;anglais que <code>Hala Gorani<\/code><br \/>\nLes droits de propri\u00e9t\u00e9 intellectuelle sur l&#8217;ensemble des \u00e9l\u00e9ments (animations, photographies, illustrations, images, textes, recettes, fiches techniques, musiques etc&#8230;) composant les \u00e9l\u00e9ments de cet article sont la propri\u00e9t\u00e9 exclusive de leurs auteurs.\n<\/p><\/blockquote>\n<h4>DESCRIPTION GENERALE<\/h4>\n<p>Parlons peu mais parlons bien, Reuters se doit d&#8217;avoir une strat\u00e9gie dans les nouveaux m\u00e9dias et se doit d&#8217;investir (euh, Internet ? est-ce encore un nouveau m\u00e9dia ?). Voil\u00e0 donc les sujets propos\u00e9s par cette v\u00e9n\u00e9rable institution, qui fut fond\u00e9e en 1851 \u00e0 Londres et est cot\u00e9e en bourse au London Stock Exchange, un peu comme Havas dont le nom est cit\u00e9 juste pour redorer le blason de l&#8217;universalit\u00e9 fran\u00e7aise.<br \/>\nLe propre des agences de presse n\u2019est-elle pas de devenir des agences de publicit\u00e9 (r\u00e9clame) o\u00f9 le fond prime sur la forme, pas plus de 5 minutes sur un sujet o\u00f9 l\u2019utilisateur\/ami\/contributeur\/internaute\/consommateur se fera vite ch\u2026. <\/p>\n<p>On y voit tout d\u2019un coup plus clair dans ce webdocumentaire fait de banc-titre et d\u2019interventions sur fond marronnasse que ne renierai pas Yann Arthus-Bertrand. Conclusion : y a pas de message , c\u2019est juste un moyen d\u2019exploiter des VHS qu\u2019on avait dans la bandoth\u00e8que ! Laissez-vous \u00ab embeded \u00bb, c&#8217;est si bon quand on \u00ab play \u00bb le journaliste d&#8217;infos !<\/p>\n<h4>PHOTOS<\/h4>\n<p>Non significatif<\/p>\n<h4>VID\u00c9OS<\/h4>\n<p>FILENAME : 01_SamiaFINAL2.flv<\/p>\n<p><b>SIZE<\/b><br \/>\n31.6 MB (32,370 KB \/ 33,147,241 bytes)<\/p>\n<p><b>CONTAINER<\/b><br \/>\nFile Type: Flash Video (.FLV)<br \/>\nMime Type: video\/x-flv<br \/>\nCompatibility Warning:<br \/>\n&#8211; Requires Flash 8+ capable player<\/p>\n<p><code>USER DATA<\/code><\/p>\n<p><code>VIDEO CODEC<\/code><br \/>\nFLV4\/VP62 Flash\/On2 VP6<\/p>\n<p><code>IMAGE SIZE<\/code><br \/>\n768 x 432<\/p>\n<p><code>AUDIO CODEC &amp; FORMAT<\/code><\/p>\n<ul>\n<li><code>Type => Piste son sur le fichier vid\u00e9o<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#T\">En savoir + <\/a><\/li>\n<li><code>Taille => ###<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#T\">En savoir + <\/a><\/li>\n<li><code>D\u00e9bit => 48 kb\/s <\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#D\">En savoir + <\/a><\/li>\n<li><code>Fr\u00e9quence d'\u00e9chantillonage => 22050Hz<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#F\">En savoir + <\/a><\/li>\n<li><code>Format => MPEG-2 Layer 3<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#F\">En savoir + <\/a><\/li>\n<li><code>Canaux => Monophonic<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#C\">En savoir + <\/a><\/li>\n<li><code>Rep\u00e8re ID3 => ###<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#I\">En savoir + <\/a><\/li>\n<\/ul>\n<p><b>MORE +<\/b><br \/>\nEn savoir plus sur le format exact de la vid\u00e9o&#8230;<\/p>\n<ul>\n<li><code>LEN => 7:37.482<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<li><code>FRMS => 11,442<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<li><code>KBPS => 322<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<li><code>QF => 0.039<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<li><code>PICS\/S => 25.012<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<li><code>FRAMES\/S => 25.012<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<li><code>SAR => 1.778 (16:9)<\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<li><code>DAR => ### <\/code> \u2013 <a href=\"https:\/\/flaven.fr\/lexique#L\">En savoir + <\/a><\/li>\n<\/ul>\n<p>\n[geo_mashup_map  height=&#8221;235&#8243; width=&#8221;600&#8243; map_type=&#8221;G_HYBRID_MAP&#8221; zoom=&#8221;13&#8243; add_overview_control=&#8221;true&#8221; add_map_type_control=&#8221;true&#8221;]<br \/>\n<\/p>\n<h2>Pour aller plus loin<\/h2>\n<ul>\n<li>&quot;FIVE YEARS OF THE IRAQ WAR&quot;<br \/>\n<a href=\"http:\/\/iraq.reuters.com\/\" target=\"_blank\">http:\/\/iraq.reuters.com\/<\/a><\/li>\n<li>L&#8217;agence Reuters.<br \/>\n<a href=\"http:\/\/reuters.com\/\" target=\"_blank\">http:\/\/reuters.com\/<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Comme webdoc, disons un assortiment de vid\u00e9os qui sont appel\u00e9s [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":9708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"bf_ai_meta_description":"Analyse technique du webdocumentaire Five Years of the Iraq War par Reuters. D\u00e9couvrez les outils et les r\u00e9sultats de cette production de qualit\u00e9.","bf_ai_og_title":"Analyse technique webdoc Reuters","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3436,3454,1,3443],"tags":[696,697,84,698,699,700,701,2243,702,401],"class_list":["post-179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-storytelling-webdocs","category-journalism-writing","category-miscellaneous-other","category-multimedia-video","tag-al-jazeera","tag-arabe","tag-flv","tag-hala-gorani","tag-iraq","tag-reuters","tag-samia-nakhoul","tag-technique","tag-war","tag-webdocumentaire"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3Vuhl-2T","jetpack_featured_media_url":"https:\/\/flaven.fr\/wp-content\/uploads\/2009\/10\/3wdoc_iraq_reuters_bb_1_bf.jpg","_links":{"self":[{"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/posts\/179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/comments?post=179"}],"version-history":[{"count":1,"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/posts\/179\/revisions"}],"predecessor-version":[{"id":9709,"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/posts\/179\/revisions\/9709"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/media\/9708"}],"wp:attachment":[{"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/media?parent=179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/categories?post=179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/flaven.fr\/happy-api\/wp\/v2\/tags?post=179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}